Jörg M. Colberg (born 15 February 1968)[1] is a German writer, educator and photographer,[2] living in Northampton, Massachusetts, USA.[3] He is the founder and editor of Conscientious, a blog dedicated to contemporary fine-art photography.[4][5] He worked as a research scientist in astronomy[6] and has been a professor of photography at the Hartford Art School.[7]
![]() | This biographical article is written like a résumé. (January 2018) |
Colberg studied physics and astronomy at the University of Bonn; he earned a Ph.D. in physics (theoretical cosmology)[citation needed] at the Max Planck Institute for Astrophysics. He moved to the United States in 2000. After a short and unsatisfying experience in the computer programming industry.[citation needed] Colberg returned as a postdoc at the University of Pittsburgh.[8]
He discusses and dissects contemporary fine art photography on his blog, Conscientious, started in 2002.[4][9][10] In 2009 Source included Conscientious in its list of ten recommended photography blogs;[9] in 2010 Wired said that "Joerg Colberg is a pioneer in photography blogging, and his blog Conscientious maintains a tight editorial voice";[11] and in 2012 Sean O'Hagan included it among his few most recommended online photography websites and publications.[4]
In 2006 American Photo named Colberg one of their Photography Innovators.[12]
Colberg is the author of Understanding Photobooks: The Form and Content of the Photographic Book (2016), a guide to making photobooks. He has contributed essays to photography publications, including Foam Magazine,[13][better source needed] British Journal of Photography,[14] and Creative Review.[15][16][17] He has written introductory essays for photography monographs,[18] guest-edited photography exhibitions[citation needed] and photobooks.[citation needed]
Along with Andrés Marroquín Winkelmann, he was a founder of the short-lived photobook publishing company Meier & Müller.[19]
From 2010, Colberg was a faculty member of the Hartford Art School.[7][20] As of 2021[update] he was living in Northampton, Massachusetts.[3]
In the photobook Vaterland (2020), Colberg reflects on the rise of anti-immigrant racism and xenophobia in Germany, "which he believes is not being taken seriously enough",[3] with right-wing ideology having become normalised.[21] It was described in the British Journal of Photography that Colberg achieves this through "an atmosphere of uneasiness. [. . .] There is little contrast between black and white. [. . .] Each picture frames a lingering uncertainty; something out of place. [. . .] The images work together to create a mood of angst." He made the images in Berlin, Hamburg and Warsaw.[3]